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10
老無所依
No Country for Old Men (2007)
導演:伊桑·科恩 / 喬爾·科恩(Joel and Ethan Coen)
Readers of Cormac McCarthy’s No Country for Old Men put down the novel possessing a distinct image of its villain. The Anton Chigurh on the page became vividly seared into our consciousness. That image, though, is not Javier Bardem in the Coen Brothers’ Oscar-winner for best picture.
讀過科馬克·麥卡錫的小說《老無所依》的人都會對書中那個反派有一個鮮明印象。書中的冷血殺手安東·齊格已經深深烙進我們的意識中,那并不是科恩兄弟這部奧斯卡獲獎影片主演哈維爾·巴登的形象。
Yet Bardem’s film characterisation is so powerful, so splendidly overwhelming in his random application of violence, that he manages to extinguish whatever preceded it in the mind of the audience.
然而,巴登的演繹太有力度,他用隨意不經心的暴力表達華麗麗地將我們制服,把觀眾腦海中先前的印象一抹而光。
Set in West Texas in 1980, No Country for Old Men’s sense of time and place are unparalleled. There’s a hypnotic quality to the movie’s pace, watching characters you can’t help but like make a series of catastrophic decisions that bring each into Chigurh’s universe, a world soaked in blood with a predetermined outcome.
《老無所依》背景是1980年的德州西部。整部電影的節奏帶著催眠般的效力,你看著那些你無法不愛的角色做出一系列災難性的決定,把自己送進殺手齊格的世界,而那是一個用血腥浸染的世界,一切結果都已預知。
– Ben Mankiewicz, Turner Classic Movies, US
11
醉鄉民謠
Inside Llewyn Davis (2013)
導演:伊桑·科恩 / 喬爾·科恩(Joel and Ethan Coen)
He's a messy haired loner strumming an acoustic guitar, struggling to show the world he's got talent. No one cares, and no one wants to listen.
他獨自一人漫不經心地彈著民謠吉他,發絲凌亂,掙扎著告訴世界自己的才華。但無人駐足,無人在意。
Set in the Greenwich Village folk scene of the 1960s, the Coen brothers' Inside Llewyn Davis is an achingly melodic tribute to an unloved underdog.
故事發生在六十年代的美國格林威治村,科恩兄弟的這部作品描畫了一個沒人關愛的失敗者辛酸落魄又旋律悠揚的生活。
Davis (Oscar Isaac) is striking out on his own after his musical partner goes solo. Along his dour journey, he'll find others vying for similar success and others just trying to survive, in a very Coen-esque manner.
主角戴維斯(奧斯卡?伊薩克飾)在搭檔離去后背著吉他孑然一身地獨唱。在他陰郁的獨行路上,他會發現還有人跟他一樣掙扎著觸摸光明,還有很多人僅是卑微地生存著,一切都以典型的科恩兄弟式的方式展現出來。
– Monica Castillo, The New York Times’ Watching, US
12
十二宮
Zodiac (2007)
導演:大衛·芬奇(David Fincher)
Zodiac, David Fincher's meticulous, gorgeous and haunting true crime movie, is a deep dive into obsession, following a newspaper cartoonist who becomes consumed by the 1970s Zodiac murders.
《十二宮》是大衛·芬奇一部細膩、驚艷、貨真價實的犯罪電影,看過經久難忘。電影通過講述一名報紙漫畫家卷入70年代的十二宮連環殺人案的故事,深刻地瘋魔了一把。
Gloriously detail-driven, Zodiac drags viewers into a compulsive world where the smallest hint can be the biggest clue, and it presents the obsessive’s worst nightmare: that, in the end, answers are utterly unattainable.
電影在讓人驚嘆的細節中發展,把觀眾拖入一個欲罷不能的世界,最細微的暗示都可能是最大的線索。然而,卻給了瘋魔者們一個最害怕的夢魘:真相永遠不可知曉。
– Devin Faraci, BirthMoviesDeath, US
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